1.Watch one of the cited German expressionist films. Write down the centre motifs you think film noir borrowed. Then watch a noir such(prenominal) as Double Indemnity , Laura , Out of the Past, or The Killers and pedigree the optical similarities. Be specific. Nosferatu: The vampires castle is in ruins. Shot at night, the burst is filled with deep shadows. The coach approaches the castle at a fast pace, on a road surround by deep shadows in a desolate countryside. privileged the castle, the schoolboyish real estate clerk is dwarfed by the gritty ceilings and capacious staircase, and trapped by the heavy doors. The ship is tossed by a storm of supernatural proportions. Only the rats survive the journey. The vampires stopping burden scene finds him enclosed in a sm every kick upstairs on with deep shadows, eyepatch a shaft of ignition from the uncovered window destroys him. Double Indemnity: Walter Neff is dwarfed by the large, high-priced house, especially wh en he stands at the bottom of the stairs. The streets of Los Angeles are regretful and desolate. Neff sits at his desk and dictates his story, while a shaft of light comes in through the window. He is dying. 2.Optional: Watch Citizen Kane and write down all of the noirish techniques used, such as arty lighting, odd camera angles, deep-focus and the different characteristics we discussed.
Kanes estate, Xanadu, falls into ruins. Its monolithic architecture dwarfs the people who inhabit the film. interior Xanadu, rows of pillars recede into darkness. The located reporter tries to learn the story of Kanes life. At the beginning of his openhanded life, Kane is s! hot from below, making him seem gigantic. Toward the end, however, he seems to become smaller because of the different camera angles. The femme fatale causes Kane to lose his wife and child... If you want to get a full essay, order it on our website: OrderCustomPaper.com
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